Early Poetry

 

IMAGINARY WOMAN #1

 

Spring 1977

 

Her voice is uplifted, taut,

as her upper lip pouts

a grimace ... like hello.

Her gum snaps rhythmically

with the sway

of her black

patent leather

pouch-like purse.

Her belly protrudes

after the indentation

below her dwarf breasts like a double chin,

languidly gyrating

to the sway of her hips,

narrowing severely

into high

heeled

sandals.

Dull brown

skirt and shirt

cling desperately

to her hairless limbs

as her mouse-like gray-blond topknot

glints in the midday autumn sun.

                                           

 

CAN I BUY YOU A DRINK?

 

December 26, 1977

 

 

They saunter faultlessly

down the asphalt

their lips           

twitched

in a smiling flare-pout

with button noses uplifted

(due to a surgical imperfection)

They mindlessly flick

their eyes

in a gesture of approval denied

smiling faithlessly-religious

their eyes

diligently search

for suitable object sizes, shapes, colors

and

Can I buy you a drink?

     When you’re on vacation, everything goes.

 

NIGHT FLIGHT

Spring 1974

 

From far away

yet close to my heart,

Your alabaster innocence

is refracted in my visions

into a rainbow radiance

     splashes, crashing through my mind.

 

    Your gentle smile

    sympathetic and somnolent

    faintly recurs on my tongue,

    It’s sweet flavor

    tingling and titillating my lips into turgidity,

    with nothing to meet

    but the cold air.

    Reaching and expanding

    upward and outward,

  

    My thoughts rise rose-colored

    into the sky,

    searching through the clear, dewy dawn

    for their caprice counterparts in collectivity.

    In a silvery serpentine embrace, we co-mingle,

    melting into one consciousness,

    A single thought dream eons long

    Until you leave

  

   And the far physical proximity exists once more.

 

                               

 SHERMAN

Winter 1973

The pastoral masses

following

their eyes unendingly,

their thoughts being thought about

unerringly

following

non-breathing

non-thinking

non-smelling

non-seeing automatons,

their minds subtracted their bodies added,

they

fight back

mentally masturbating each other

hiply sloganeering while liberally distributing

their thoughts.

They manipulatively maneuver about their

carpeted, cool, calm surface

while a piece of charred Sherman

sizzles

On a still deathbed steam hole.

 

 

 

 

 

     Sherman Raftenberg was a good friend of mine who fell in a negligently uncovered steam spout into acid steam.  Demonstrations ensued.  Nothing was really accomplished.  His family lost the negligence suit in appeal to a higher court.

                                           

 CONCHITA

Spring 1977

She slithers across the door

Her trim, perfect nose upturned

Blithely caressing the unfeeling myriad of steaming hot platters,

she jauntily arrived at her destination.

With a plastic flick of her head

She acknowledges the regulars,

coldly ignoring the molten stares, of the desperate patrons

who remove her scanty negligee-like uniform with their eyes.

Her frigid sneer replies, keep your distance

but stay close enough to notice me ... I need to be noticed, please notice me.

She slides into the kitchen brushing against

everyone on the way provocatively

They know they must keep their distance

but stay close to notice her.

She returns with her order and the faint flicker of a sneer.

A quick upward glance at the clock

reveals the end

A return to the kitchen for

A warm round of good-byes

followed by

A seething tirade of curses out of ears’ reach.

 

                   

          

    IMAGINARY WOMAN #2

 

Spring 1977

 

She smiled half knowingly

as she raised a jaunty walk

Her dull orange coloring freshly grown

in an aluminum smelter.

She nods a sham joyous hello,

the mounds of deep seated depression

hidden

within the folds of her

all-too-perfect stylish gait.

Doors, opened automatically

by human servomechanisms invisible to her.

They serve their function,

trying to be recognized

before its too late

and she struts off

not letting up

until

she can lock the door and the world out.

                                   

 THE HANGING MAN

 

Fall 1976

 

The door slammed

redundantly echoing a thousand fold

Thrashing and grasping

I find myself

kicked at the roots

bending, almost breaking,

The winds of change blowing

the flash fire to an obscene orange glare

as I search pinch-mouthed for water

I find no sustenance

 

Just a myriad of leaning and hanging ones.

         

 

 THE NURSE (Noiss) (with Douglas P. Castle)

Summer 1971

*purse

When I grow up

I’ll be a noisse

with sucking candies

in my poisse* .

I will help

mend broken bones

And make hippies all better

when they’re stoned

when they find I am too old

when they find my time is done.

Yes, indeed, then I’ll be bold

I won’t lay there when I’m told

To a McDonald’s I then will run

and order a burger on a bun.

 

 

                

 HE’S GOT A FACE EVERY MOTHER COULD LOVE

 

Summer 1975

 

He was born on mother’s day, 1957

In the back of a ‘55 Chevy.

Even then, mom said, why can’t you be like him,

He never ever cried and he was never too thin.

He got a face every mother could love.

He’s got a smile that comes from above

He’s got a halo that hangs ‘round his head

Makes you wish that he was dead.

My mother said why do you have to be in again,

Herbie isn’t.

My mother said why do you have to wear a leather jacket,

Herbie doesn’t.

My mother said why are you so fat, Herbie isn’t.

My mother said why do you say dirty words,

Herbie doesn’t.

He’s got a face every mother could love.

He’s got a smile that comes from above

He’s got a halo that hangs ‘round his head

Makes you wish that he was dead.

 

 

    

 PARDON ME, BUT THERE’S LIPSTICK ON YOUR MIRROR

     Spring 1979

 

Their inside mirror is painted black

It’s flat, shiny veneer glows a silver gray.

Suddenly, I am an intrusion knocking on your doors,

Mouth open,

Teeth showing all too perfect lipstick coated scream

drop him away with a, “You too.”

the image you want is here,

Staring at you.

But you can’t see what’s really there because we all have to hide,

it

in fear of finding out what

it is.

Not just a smile you throw over your shoulder,

Non-acknowledging, acknowledging my existing

non-existence.

You write me off, too.

  

                                  

 TREE BROTHERS

 

Spring 1979

 

The stark, bone-bare crisp arms

reach out to the limit,

Race

All-too-slowly for their inevitable

Off-again, on-again

Death-life-death

While his wise, warm brother

Smiles warmly

All knowingly he gently gestures

With a wave of a fleshy breath

As he bends with the wind.

                  

 

      Numbers

 

Spring 1971

 

I don’t want to be codified

I’ve been 115-48-7222

and 826-6164

I starred in the role of 7 in 302

My day was 1-314

2-209

and

so

on

into infinity....

But I fought it and became an individual

I lived with the people

I walked to college and

Learned how some love to hate.

 

I died.

My skull was broken by badge number 15798

I was put into cell 6751 in the county morgue.

 

 

  

LIBERALS

 

1972

 

Their putrid breath

having already sullied

their half starved sleep

they turn upward from the mud of avarice,

perturbed by their black pastoral landscape

they turn upward

and

crablike

the legion of plastic noses and wood penises

bare their rubber teeth at the paragon

glaring menacingly frightened.

 

 

BLACK DAY

 

1972

 

Paranoid sirens ride the air

piercing the yellow mist to find

their destinations.

The already hard but melted ears

telling of the now gnarled clouds

and the frustrated sun,

bare,

boldly shining its last rays

through the screams of schools of salmon

their shepherds having abandoned

them for their

burrows deep within the pit

now molten with destruction.

 

          

 

 

OXO, OR THE NIGHT OF THE LIVING DEAD

 

Spring 1979

 

The ground shook

As I looked up, I saw Oxo,

her beer drooling drawl shout talking,

“I hope he brought the beer,”

As the song droned on the

blare radio

She sang in a perfect

mock southern,

her beer belly

jiggling-looming

out of her shrunken red tube top,

her speed shrunk tits

underwhelming static

despite her marginal gyrations

to the repetitive

easy to sing along line

Her face, wrinkle frowned as it ended

She didn’t know the words of the next song.

  

                             

 

THE FLAMING ENFOLDMENT

 

Spring 1979

 

It’s hot red plume

glowing in the glaring white light

It reeks pungently

outward, upward,

In all directions

streaming, spewing

it’s yellow innards

against the blue white backdrop.

 

 

         

 HERR MUELLER

 

May 1979

 

 

Hair stickummed

covers the wide teardrop bald spot

Squared to his point jaw,

his too tight tie

hiding wispy haired, wish I were a man’s chest,

Head dropping,

The round uncovered spot peeks through

the hiding hair wisps.

Hands clasp

white ...

tight

tension blanches

his face colorless

eyes bulging, he has the

“Final Solution”

holding it in,

he bursts.

                

                                     

     SATIETY

 

June 1979

 

Its once mighty branches spread

decadently

in a fallen salute the tree

creaked rigidly in the breeze.

Bare

of

spring knobs

with

no hope of future

save

for its green topknot.

It consumed all

the sunlight

it could last year.

The uptake took its toll

when the thin sheets of ice

smothered the choking overextended branches

their now smooth plastic veneer

too heavy

to be supported by the weak tree backbone.

 

                            

      

THE FARM

 

July 1979

                                      

Her creamy breast

glowing

in the morning light she turn hops

mound to mound.

Flitting and handpecking,

gently pounding them

their near perfect shape smiles back.

                       

    MOONBURN

 

August 1979

 

 

White round light embraced

in white

clutching cotton tendrils

fleecily glowing at a half gray pitch,

Its subdued volume

unbound

for an instant,

glaring gently in a monotone reflection of glory

only to be encased

in its cottony cocoon once again.

                              

     TIDES

August 1979

 

 

Wet silky softness

caressing me rhythmically her

multitudinous white smiling curl tops

rolling towards me

gently tugging at my toes to

join them in multiple oneness

I resist.

She beckons

“you haven’t been home in

many million years”.

 

I shriek in terror,

the gentle tug now an insistent roar at my heels

I can’t return.

We are of different worlds

divergent paths

that can’t circle back

today.

 

She releases me.

Float softly

to trample on powdery bones of

released others.

It is their time to return home.

                                  

       THE HERMIT

 

August 1978

 

The scraggly, bearded stranger emerged, poking his filthy toothy grin

She gaped with abandon,

“How do they allow you to exist that way?

Cleanliness is important wherever you are,

after Godliness,

Which is vital to our existence, it says so in the scriptures.

 

But what of the trees and boulders, the rocks and rivers, is cleanliness there?

The little bird perched on my boulder smiled.

He said, “If you’re a bean*

You’ve got to be clean.

The problem, you see, is a social tea.

from which there is no escape except hermitage.”

To process or not to process, that is the question

whether it is nobler to spray one’s pits

pop one’s zits

wash one’s tits,

take one’s shits,

pick one’s nits

Or not listen to twits.

 

You’ve got to get lost before you are found

and not just by anybody on the rebound

The rain may fall

the pall may mall

But

Your life must go on

the influence must become a confluence

And consequently a congruence

Intellectualism isn’t the answer either

But the gut isn’t it unless you’re a feeler

the balance is to be reached

 

 

*human being

    

     But the process must be thrown away

If you’re hair is loose

Then your brains can leak out of your ears

Or out of your nose when you sneeze

Your insides could be for public exhibition

 

But intuition

will say who is the public

and who is the public

to you

Adaptation is vital

but vital isn’t always adaptable to you

Change concepts while the others remain static

I guess there’s nothing to do but

STAND UP

or at leave.

 

I think I’ll do one for awhile

when it gets boring,

I’ll grin

somewhere else.

 

 DO NOT COLLECT $200

 

February 1973

 

Beady eyed

beetle browed

Beefily leaning meaty

striped furry arms

hot wet acid tongued

dreary twitching mouth rasping

“Now you’re with us.”

I fear smile

little defenseless puppy

backed in the corner of the world room

baring my insignificant canines

uselessly.

Tail between legs

I follow the firm leash to the kennel

where my brothers bark.

The kennel keeper grins

He eyes the keys

thinking

he is in control

but

he is locked in, too.

 

                      

 SPIRITUAL CORPULENCE

AND

THE BENEFITS OF THE AMERICAN DIET TO LOSE IT

 

     August 1979

 

 

Long, angular face

she swept over me

her orange see through it dress

flowing, showing her

knowing naiveté

soft scent wafting across swiftly

fleetingly

My eyes slipped

open and closed

again

Imagining her image

vibrant brown eyes

greeting, locking mine

generous mouth

upturned

caressing my being with

long loose

brown, banana curls

slightly electrified

 

Pseudo Afro curl

reeking

independence

she pronounces her

impending freedom

“going to the coast”

to be just

friends

she returns with

more than friends

mites and jealousy

acid reek of dissolution fresh in my nostrils

I dejectedly

apply a vise-like grip

clutching

the air

of what was

with a vision

of what never will be

 

Lips glossed

brick red

her black leather

image

poised processed peak

of sexuality

Her veneer a

glowing glowering ground

round regal

wonderment

to civilization’s present

what a woman should try and be when you grow up

the model

that she tried to be and refused at midday

she is at midnight

without the social benefits

her tight lipped smile shrunken

it distends beyond its normal confines

into an  “ O”

    

She offers her gift to mankind     

give her no reward save humiliation

her life is

solely (soulie) (or is it soul lie)

to be used as a pleasure object

Self-denial breeds self-contempt.

 

 

HOLE IN THE SKY

 

September 1979

 

 

Dull white puffiness

enlightened by

A yawning

bright white gold

gap

streaming life

through the

watery white cotton

it’s rays pouring from the pitcher       

of the overflowing crucible above,

their energy rain glowing an illumined

triangular pathway

through the gray white surroundings

the sole vestige of

brightness blaring against boring backdrop

it’s radiance absorbed by

both mother and father

for their seven children

warming, filling

their abundant

cups of life.

                          

 

     AUTUMN ROSE

 

10/79

 

crunchy sun

leaf frost

rains yellow, red, orange

cyclical life remnants

leaving their

breathing

half alive

skeletons

basking in the last blaze.

                                       

 

GOLDEN ARCHES 

 

10/29/79

 

The road led

through a living archway

breathing, singing, swelling

of life

the sun lit

the hallway

the walls and ceiling

painted varicolored

rioting warm brightness

leaving a slightly browned

cacophonous carpet.

 

She turned to me and said

lets eat cheeseburgers for dinner.

                                  

   

WINTERSPRING

 

12/79

 

Snow pelted and coated my soul into insensibility

until your

sea blue eyes

prominent mountains of electricity

clutch my core

through

inconsequential flesh overtones

gazing smile

warmed the glacier

heating my center

after winterfreeze gives way to spring.

 

The resultant river

thaws

flows

nourishing a sprout

of love.